The Menu proves to be a darkly humorous and pointed satire wrapped in a psychological thriller. It centers on a group of wealthy patrons who journey to an exclusive restaurant situated on a remote island, discovering the evening holds far more intensity than they could have imagined. The narrative unfolds at a measured pace, maintaining suspense while steadily escalating the feeling of dread. It manages to combine it…

The premise of The Menu initially seems promising, but any anticipation quickly fades as the story turns out to be distressingly foreseeable from very early on. It’s possible to guess where things are headed well in advance, and the purported surprises fall flat—they lack any real punch. The performances are the one bright spot, with Anna Taylor-Joy, Ralph Fiennes, and Nicholas Hoult all appearing, although even they…

It’s striking how belatedly I’m getting around to this—and perhaps it was something best missed altogether. *The Menu* is a movie that earns all the attention surrounding it. It's genuinely impressive, featuring solid writing and noteworthy performances from the actors involved. Anya Taylor-Joy remains consistently excellent; I haven’t encountered anything she’s been in that I didn’t like. Ralph Fiennes seems idea…

The film seems to believe itself more ingenious than it actually is. The storyline presents a distinctive concept and the central antagonist’s reasons are fresh, but the movie undermines its own potential by assuming viewers lack intelligence. To illustrate this point—and I will offer a minor spoiler here, so those still considering seeing it might want to skip ahead—there's a scene where a character loses a finge…

“The Menu” presents an examination of anti-capitalist themes alongside bursts of violence, all orchestrated by a meticulous chef who commands a devoted following. Mark Mylod’s horror comedy critiques both the pretentiousness found in fine dining and the nature of performance art itself. Margot (Anya Taylor-Joy) and her boyfriend, Tyler (Nicholas Hoult), board a vessel with several other patrons headed to Hawthorn,…

It feels like my final breaking point with IMDb has arrived; apparently, disliking this film results in negative reviews being deleted. Essentially, this is a movie about characters who are overly concerned with appearances, aimed at an audience that appreciates such things, and those same characters meet violent ends so the remaining ones can feel intellectually superior. Right from the beginning, the trajecto…

The essence of what makes "The Menu" work rests primarily with Ralph Fiennes’s portrayal. His character, a chef delivering sharp, ironic remarks and an escalating sense of danger, proves to be captivating. To be honest, it was Fiennes's central performance that held my attention throughout the film; another actor in his place might have led me to abandon it entirely. This leads me to consider the writing itself. T…

A once-in-a-lifetime opportunity to dine at a restaurant led by an extremely well-known chef sounds like a dream for anyone interested in food. (I felt that way too, even though I experienced it through the Food Network.) Two of those fortunate diners are Tyler (**Nicholas Hoult**) and Margot (**Anya Taylor-Joy**). However, something feels off from the start. It’s not obvious, at least to ordinary people like us. …

I feel deeply let down by you, Margot from Nebraska—played by Anya Taylor-Joy. It seems my faith in you was misplaced, and your work comes across as sloppy. I had different expectations, but it’s clear now that you’re someone who consumes without giving back. Frankly, it's difficult to even watch you on screen, and you simply don't measure up to Julia Roberts.

I found it to be decent, though I do have some reservations about it. The performers were a definite highlight; Nicholas Hoult and Ralph Fiennes stood out particularly well. While the plot was enjoyable enough, certain aspects felt hard to accept. It didn't feel as clever or insightful as it had the potential to be. Perhaps my expectations were too high because I recently saw "Triangle of Sadness" and appreciated its…

_The Menu_ stands out as a truly distinctive thriller this year! The initial premise is exceptionally well-crafted, and the narrative provides precisely the right amount of detail to maintain interest, despite following a familiar trajectory. It’s unsettling, sincere, and surprisingly funny. This unusual combination results in a thriller unlike anything else I've seen. The acting is superb across the board. Anya…

I went into The Menu because of all the buzz surrounding it; people seemed to think it was brilliant. However, my reaction after seeing it was simply, "Huh?" It felt like something started with a strong sense of unease that didn’t quite resolve itself by the end. The film initially had a similar feel to Ready or Not, centering on someone who doesn't belong among a group of wealthy food enthusiasts and critics at an e…

Tyler, a man with refined tastes, and his girlfriend Margot are about to have dinner at an unusual restaurant. Situated on a small island, they find themselves among other affluent individuals for what’s advertised as a truly unforgettable event! It quickly becomes apparent that Margot wasn't the original guest Tyler had invited, raising immediate questions: who is she? And why does it seem so important to the exacti…

The Menu ended up being one of my biggest letdowns this year. While Mark Mylod’s film features strong performances from everyone involved—Ralph Fiennes and Nicholas Hoult were particularly noteworthy—very little else about it connects. The attempts at humor largely missed the mark, with only a few scenes reminiscent of Masterchef Australia providing some amusement. The screenplay takes predictable turns, functioni…