Tyler, a man with refined tastes, and his girlfriend Margot are about to have dinner at an unusual restaurant. Situated on a small island, they find themselves among other affluent individuals for what’s advertised as a truly unforgettable event! It quickly becomes apparent that Margot wasn't the original guest Tyler had invited, raising immediate questions: who is she? And why does it seem so important to the exacting and somewhat intimidating chef Slowik and his assistant Elsa, whose demeanor seems inspired by Rosa Klebb? As the meal unfolds, it’s clear the menu isn't just about the beautifully prepared dishes; it involves an assessment of both the staff and guests, who are far from straightforward. The situation bears similarities to Agatha Christie's "Ten Little Indians," offering a satirical look at the pretentious nature of those preparing and consuming high-end cuisine. This humor is darkly humorous and quite strong. Fiennes delivers a completely believable performance, while Hoult, Janet McTeer as the haughty food critic Lillian, and Paul Adelstein as her deferential partner Ted all contribute to the growing sense of absurdity that escalates into something considerably more dangerous. The pace could have progressed a little faster; there were moments when I wished things would move along quicker. Though Margot’s character is spirited, she ultimately highlighted the story's increasing lack of believability and the diners’ improbable passivity as we approached an ending reminiscent of Jules Verne. It's quirky and entertaining—a cleverly presented, complex commentary on our own perceptions that benefits from a second viewing. It isn’t flawless, but I imagine Michelin would approve.

Source on TMDB