It’s best to disregard the prejudiced opinions you might find online, and perhaps steer clear of this series altogether. Neil Gaiman may possess talent as a writer; however, similar to what happened with *American Gods*, his involvement in live-action adaptations seems to result in a noticeable decline in quality. It's admirable that he’s spoken up in support of the actors chosen for their roles. Certain instal…

The special effects are quite impressive, especially considering it’s made for streaming and television, and the story itself has potential with likable characters. However, the show seems overly committed to a particular political viewpoint that I find problematic. If you're not comfortable seeing shows constantly shaped by portrayals of specific identities—specifically, those who are gay, plus-size with colorful ha…

It’s disappointing to see another series held back by contemporary writing choices. While the narrative itself isn't bad, and the performances are commendable, these positive aspects are undermined by what feels like an unnecessary focus on inclusivity. Because of this, my rating settles at 5 out of 10; without that element, it easily could have been an 8/10.

This series appears to be the most overtly progressive I’ve encountered, featuring casting decisions that seem driven by political considerations. The overall impression is that it came from a group of performers and individuals with left-leaning viewpoints; frankly, it's pretty bad.

Gaiman’s work is strong. Since I didn’t look into the original comics, I can’t comment on how well they were translated. However, judging by what’s being produced now, the narrative itself holds up very well. It isn't without its flaws, but generally it flows nicely. The connections to *American Gods* are clear when looking at *The Sandman*. The performers were appropriately chosen, and their performances felt nat…