The special effects are quite impressive, especially considering it’s made for streaming and television, and the story itself has potential with likable characters. However, the show seems overly committed to a particular political viewpoint that I find problematic. If you're not comfortable seeing shows constantly shaped by portrayals of specific identities—specifically, those who are gay, plus-size with colorful hair, body piercings, prominent tattoos, and generally irritating—then you might have issues with this one. I managed to get through until the episode where the Sandman recovered his ruby, but at that point, I couldn't continue watching. The decision to reimagine John Constantine as a gay woman in her late twenties felt poorly executed. A scene in a diner was equally disappointing, both in terms of its writing and its underlying message. Even when the Sandman finally got back what he lost, I didn’t feel satisfied; I just wanted to be done with the series. It's disheartening to see how much Hollywood writing seems influenced by intersectional politics and a progressive agenda.

On September 20, 2026
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