It's been stuck in my head ever since I initially saw it, so I decided to watch it again recently. My appreciation for it has only grown with time. The music and visuals continue to be the elements that impress me most; they create a captivating and purposeful aesthetic. This viewing also highlighted the quality of the direction and acting—truly remarkable. A Soderbergh film clearly influenced by Hitchcock is an i…

I'm attempting to articulate some thoughts while it’s late, but I wanted to record them while they were fresh. This film delivered precisely what I look for in a Soderbergh thriller—and that’s high praise coming from me. I consistently enjoy his films, and this one is certainly among them. The technical aspects of the filmmaking are impressive: the camera work, editing, and overall pacing flow well. It possess…

KIMI possesses the inherent promise of a good Soderbergh film—the kind you expect with its visual style—though even Zoë Kravitz’s strong showing isn't enough to mask certain shortcomings in how the story explores its ideas. The way technology is portrayed feels unsettlingly close to reality, but the efforts to deal with agoraphobia and privacy concerns don’t entirely land. The central character’s journey involves …