KIMI possesses the inherent promise of a good Soderbergh film—the kind you expect with its visual style—though even Zoë Kravitz’s strong showing isn't enough to mask certain shortcomings in how the story explores its ideas. The way technology is portrayed feels unsettlingly close to reality, but the efforts to deal with agoraphobia and privacy concerns don’t entirely land. The central character’s journey involves confronting past experiences, which for the most part works reasonably well. Still, the sudden ending of events diminishes the portrayal of PTSD and brings up several questions about logic within the plot, alongside a question of ethics regarding obsessive behavior. It seems probable that viewers will have differing opinions on this one. Rating: C

Source on TMDB