I'm attempting to articulate some thoughts while it’s late, but I wanted to record them while they were fresh. This film delivered precisely what I look for in a Soderbergh thriller—and that’s high praise coming from me. I consistently enjoy his films, and this one is certainly among them. The technical aspects of the filmmaking are impressive: the camera work, editing, and overall pacing flow well. It possesses a deliberate yet graceful feel while remaining engaging. There are several moments that will likely stay with me for some time, notably how deeply personal the events portrayed feel and how effectively Zoë Kravitz embodies her character. The storytelling approach brought to mind Aneesh Chaganty’s *Run* in its method of presenting and developing the narrative. My primary concerns involve a slight disruption in the pacing roughly halfway through, and a sense that certain elements weren't as fully developed as they could have been. As someone who appreciates David Koepp’s previous projects, I was disappointed to find my reservations stemming from issues with the story’s construction. Despite these minor shortcomings, I thoroughly enjoyed myself. I suppose I should watch *No Sudden Move* now. On a separate note, I watched this in my room, so my HomePod Mini was positioned directly below my screen the entire time—essentially creating an immersive experience.

Source on TMDB