From the very beginning, when "Hedda" (Tessa Thompson) answers a phone call, it becomes clear that Nia DaCosta has moved the setting forward in time. We are now situated in the middle of the 20th century within an impressive estate where her scholarly husband “George” (Tom Bateman) is urging her to make every effort at a grand party intended to impress "Prof. Greenwood" (Finbar Lynch), who is considering offering ten…

Reimagining a celebrated work of art—regardless of its original form—is inherently difficult. This challenge is amplified when transitioning between different artistic spaces, such as from stage to screen, or when altering fundamental aspects like setting, time period, and characters. When these changes occur simultaneously, the resulting adaptation can become significantly problematic. Writer-director Nia DaCosta fa…

It’s baffling that this performer continues to be offered roles; her acting is simply dreadful. It feels as though she's merely reciting dialogue during rehearsals. There's a complete lack of charm and appeal, and frankly, she isn't even remotely attractive. I can only speculate about why people like her are chosen for these kinds of projects.

I really have to say that the acting in this film was just not good. Tessa Thompson doesn’t work well as the central figure; I’ve noticed similar issues watching her in West World, and I honestly believe she should consider another career path. There was a moment during one of her dramatic scenes where my husband actually burst out laughing. The movie itself wasn't particularly enjoyable either, and I don't imagine t…