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Dial M for Murder (1954)

1954 • 1h 45m • Thriller, Crime • PG
On September 22, 2026
#325298
3252nd by Pulse movie online
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Reviews — Dial M for Murder

Audience write-ups from TMDB

katch22

9/10
Jul 26, 2021

The theatrical origins of this production are immediately apparent. The script relies heavily on dialogue to explain events happening beyond the confines of what’s essentially a single apartment room. While not inherently problematic, this approach shapes the film’s overall tone. It feels more like an intellectual puzzle than a suspenseful whodunit. Perhaps casting Tony as a chess player instead of a former tennis st

Jack

8/10
Jun 1, 2020

It might not be among Alfred Hitchcock's most well-known works, but it remains a remarkable piece of cinema. The distinctive style of Sir Alfred Hitchcock is instantly apparent in the film’s visuals and narrative approach. Going into this movie completely blind proved to be a good decision; I appreciated the unexpected twists and turns that kept me engaged until the very end. Might I choose to watch it agai

barrymost

7/10
Sep 5, 2019

Knowing the director was Alfred Hitchcock and seeing who’s in it is enough to suggest you’re in for something worthwhile. This suspenseful film, made initially as a 3D experience, still works well even without those special glasses. Both Ray Milland and Grace Kelly give strong performances that are quite pleasing. Keep an eye out for John Williams playing Inspector Hubbard of Scotland Yard; he's reminiscent of Columb

John Chard

8/10
Jan 5, 2019

I suspect my attempts at wrongdoing would resemble my efforts at bridge: I’d likely make some foolish error and not recognize it until everyone was staring at me. It might be considered mid-range Hitchcock, according to his own statements, but it remains one of the best mystery thrillers available. Ray Milland portrays Tony Wendice, a former tennis player married to Grace Kelly's Margot, who provides him with fina

talisencrw

10/10
Aug 10, 2016

My previous assessment of this film as a lesser work by Hitchcock didn't hold up when I watched it again; it really highlighted how strong the writing and direction are, plus how remarkable and often overlooked Grace Kelly and Ray Milland have become, particularly now that so much time has passed. The tension is incredibly intense. I will admit, I still don’t place scissors on my desk.

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