This film exists far outside the bounds of what’s believable – and that’s entirely deliberate. It’s baffling, tangled, totally ridiculous, and unrealistic. I honestly don’t know if those choices make it good or bad. It’s difficult to assign a rating and hard to draw any comparisons to other films, although it does bring to mind the work of David Lynch. If you find yourself bewildered after watching, let me quickly…

This film is remarkably good! *Censor* has a strong starting idea, and thankfully, that concept is carried out exceptionally well. The overall atmosphere of the movie feels incredibly close to flawless; the tone works perfectly, and the 1980s visuals seem spot on. It moves along at an ideal speed, without any slow parts. Niamh Algar delivers a fantastic performance as the central character. I recently saw her d…

It’s the kind of film that leaves you feeling like you could have spent those hours doing something better. The storyline isn't particularly inventive; it simply rambles along without direction, culminating in rather clichéd murder sequences reminiscent of a school play project and offering virtually nothing rewarding at the finish. I honestly can't grasp how this received funding from The National Lottery via The Ar…