The movie _And Then We Danced_ possesses a gentle strength and a quiet rebelliousness. The narrative unfolds within Georgia's strict world of national dance, centering on Merab, a young man grappling with established customs and his own feelings. The central performance is understated yet deeply moving, and the dances themselves communicate genuine emotion. It shares similarities with _Call Me by Your Name_ in its de…

The prominence of masculine traits within Georgian dance is a notable element; apparently, its style was once gentler but underwent alterations roughly half a century ago. This film, recognized with an award, illustrates that the pursuit of self-discovery—the journey to realize one's authentic nature—is universal and transcends cultural boundaries. It’s presented as a visually appealing work, possessing a subdued …

The movie is excellent, offering a glimpse into the experiences of a young man from Tbilisi named Merab (Levan Gelbakhiani). He juggles his responsibilities at his family’s restaurant with rigorous training for classical dance at a demanding school known for its focus on Georgian traditions and masculine ideals. Unexpected events—his brother's unpredictable behavior and the arrival of Irakli (Bachi Valishvili) at the…

This drama, set in Georgia—the nation, not the state—uses dance as a central element. It follows a familiar storyline often seen in LGBTQ+ cinema, yet distinguishes itself through its poetic style and focus on movement. The film feels delicate and thoughtful.

‘And Then We Danced’ feels like a truly unique film, made with care and purpose, straightforward in what it sets out to do and genuine in its feeling. I was completely absorbed by it, and when the credits rolled, I felt an overwhelming sense of affection for it. It's certain to become recognized as an important film within the LBGTIQ+ community; it’s remarkable that Georgia has something like this as part of its film…