Many movies ask viewers to set aside disbelief and accept that events unfolding onscreen could conceivably occur. I’m usually willing to go along with that, provided the movie makes some effort to establish a sense of plausibility through details that ground the narrative. This one doesn't even attempt to do that. I like Morgan Freeman’s performances, so I decided to give this film a chance and see what it offered. I…

It’s hard to overstate how unpleasant this film was; I see a great many movies, and this one ranks among the worst. It felt akin to viewing a student film made by teenagers. The conversations were brief and consisted mostly of single lines, there was no real suspense or excitement, and the performances seemed very inexperienced. The storyline itself was weak and needlessly complicated. What’s more, the visuals and ov…

Ruby Rose isn’t the strongest actress, that's for sure, but I often find her watchable. Lately though, it feels like she’s been heading straight for made-for-TV movies, with this film and *The Doorman* being prime examples—neither one seemed destined for theaters even before the pandemic hit. This particular movie had potential to be enjoyable enough, if not for some really rough editing choices and shockingly bad ci…