Reviews — Moneyball
Audience write-ups from TMDB
The Movie Mob
The film *Moneyball* succeeds wonderfully thanks to impressive direction and performances, built around a captivating real-life narrative that significantly altered baseball’s landscape. It's hard to find a sports movie quite as smart and engaging as this one. Bennett Miller skillfully employs the film's music; by allowing certain pivotal moments to unfold without it, he amplifies their emotional weight. This appr…
Filipe Manuel Neto
Sports movies aren’t usually my kind of thing; I generally prefer something else. However, this one had an intriguing number of award nominations—six Oscars (for Best Film, Best Adapted Screenplay, Best Actor, Best Supporting Actor, Best Editing, and Best Sound Mixing) and three BAFTA awards—though it didn't win any of them. And there are definitely a lot of worthwhile films that focus on sports. The story itself …
Kamurai
This film was a slog; it’s something I won’t revisit, and I don’t think others should see it unless they have a deep interest in baseball combined with statistics or financial business dealings. The cast—Jonah Hill, Chris Pratt, Brad Pitt, and Philip Seymour Hoffman—led me to believe it would be at least somewhat engaging, if not genuinely enjoyable. When the movie started and made its focus clear as being abou…
John Chard
I don’t really follow baseball; I'm from Britain, after all. I attempted to get interested when British television started showing games, but it never quite clicked with me. My only input into any discussion about the sport is that I root for the Cleveland Indians because of the movie *Major League*, which still makes me laugh out loud. I was drawn in by *Moneyball*’s description, promising a sports triumph built …
Andres Gomez
This film feels like something specifically designed to showcase Brad Pitt’s talents. While the narrative itself holds some appeal and moves along effectively thanks to solid direction, Jamie Lee Curtis' performance is particularly noteworthy—perhaps largely due to the audience's unfamiliarity with her in a dramatic capacity.


