Having seen this movie again, I’ve come to believe that Von Trier could be considered the Ingmar Bergman of our time. It's hard to think of another filmmaker who explores the depths of human nature with such insight or in such an inventive manner. And few are as bold when it comes to showing things visually. Watching Dogville this time around, I realized that the narrative functions as a depiction of a woman’s exp…

I’d have to say this likely ranks as my top Lars Von Trier film. The story unfolds against a backdrop of strikingly simple scenery meant to represent a small-town America, and we're introduced to "Grace" (Nicole Kidman). She arrives dressed in luxurious furs and lace, obviously fleeing from something or someone. Soon after, some threatening figures arrive in town and leave a calling card, just in case she decides to …

Those who commit terrible acts might be portrayed as victims, but I consider them something far worse. If they’re behaving reprehensibly, the only way to stop it is with a firm response. A simple set design is cleverly used to create a stark depiction of a small town where a mysterious woman named Grace (Nicole Kidman) seeks refuge from those pursuing her. Initially, the townspeople decide to protect Grace, and in…