To label the 2009 miniseries as a reimagining of Patrick McGoohan’s celebrated 1967 series is disrespectful. It doesn't represent an update; it’s a damaging alteration. The original was a brilliant, surreal, and intensely individualistic commentary on Cold War anxieties and societal control, but this version is a dull, confusing, and completely unengaging melodrama that entirely misses the mark. The basic setup st…