Given the actors involved, I had higher hopes, but what resulted was a deeply upsetting experience. The movie feels incredibly slow-paced, constantly hinting at an ill-defined and unsettling threat that appears imminent. However, that threat never materializes. Those who are easily bothered by insects—and I include myself in that group, especially when those insects are large cockroaches—should steer clear of this fi…

It’s terrible horror, executed with skill. This isn't a film that offers any deep insights; if that's what you want, look elsewhere. However, there is definitely impressive craftsmanship involved.

Wounds compounds the disturbing imagery by failing to capitalize on its central idea. A rift in a partnership, described as ‘The Visible Filth,’ can erode both people’s mental and emotional well-being, leading to sorrow and regret that influence their thoughts and actions—an unfortunate situation even for couples who seem completely devoted. I'm quite puzzled, no, actually, I'm utterly bewildered. The director previo…

It was truly disheartening to watch _Wounds_. That moment with Armie Hammer’s character referring to Gen Z as "Fucking Millenials" wasn't even the worst part, it just felt emblematic of the whole thing. My final assessment: ★½ - It proved quite dull and disappointing; I would suggest skipping it if you can.

The movie feels like the result of creators prioritizing visuals and ideas over crafting a compelling narrative. Armie Hammer portrays Will, a bartender in New Orleans who witnesses a bar fight involving some college students. These students inadvertently leave behind a phone filled with unsettling pictures. Simultaneously, his girlfriend Carrie, played by Dakota Johnson, is immersed in studying occult Gnosticism,…