It seems Russell Crowe had other commitments for this new story about spiritual banishment, so Al Pacino stepped in instead. He portrays Father Theophilus, brought in to assist the hesitant Fr. Joseph (Dan Stevens) with a challenging situation. They’re tasked with freeing young Emma (Abigail Cowen) from an unwelcome presence within her body. His approach doesn't sit well with the inexperienced young father or the nuns present, as she exhibits escalating signs of distress—uncontrolled bleeding, profanity, violent reactions, and even the expected maneuver of being suspended from a ceiling light while enduring repeated readings of biblical passages during at least seven attempts to drive out the entity. Does this sound familiar? It should, because there’s nothing new here. Apart from Pacino delivering a performance that differs somewhat from his usual work, the entire film feels derivative. Its apparent distinction lies in being adapted from transcripts dating back nearly a century, supposedly documenting real events. However, we've witnessed this narrative unfold so many times before, even the standard folding bed fails to offer any surprise—whether spiritual or metaphysical. One aspect that does spark some curiosity is the suggestion that Catholicism during the 1920s was full of incantations, superstitions, and a level of symbolism that likely hadn’t shifted much since a Borgia held power at the Vatican. Perhaps it would be suitable for television viewing on Halloween if you've had too much Grappa, but as a film seen in theaters, it's disappointing and easily forgotten, I regret to say.

Source on TMDB