I believe Roland Emmerich’s error lies in connecting the narrative so directly with Stonewall. If it had simply been a structured drama like Armistead Maupin's "Tales of the City," it might have felt more believable. The story focuses on “Danny” (Jeremy Irvine), who is rejected by his family and community after being discovered engaging intimately with his friend “Joe” (Karl Glusman) by two acquaintances who quickly …