Ernest Torrence’s character, Steamboat Bill, receives a letter from his son—someone he hasn't laid eyes on for quite some time—informing him of an impending visit. Eagerly, he and his first mate, "Tom," head out to greet the arriving train. However, what they encounter after a series of comical setbacks is a young man who bears more resemblance to a Parisian produce vendor than a robust riverman! To make matters worse, “Willie” (Buster Keaton) also has a fondness for Kitty (Marion Byron), the daughter of his father’s longtime rival, "JJ King" (Tom McGuire), compounding the older man's dismay. A cascade of silly events then unfold as the young man attempts to win over his sweetheart, her father, his own dad, and practically everyone else—and generally falls short in his efforts until his father finds himself behind bars. The guiding principle seems to be that anything that *could* go wrong for "Willie," *will*—but it goes wrong with remarkable skill. The comedy is largely integrated into a story filled with action sequences and a touch of romance. While the film does include some slapstick, which isn't typically my preferred style of humor, it’s executed so precisely that it feels more like an art form than mere performance; and when the major storm arrives at the conclusion, the visual effects are cleverly designed, and naturally—there are numerous chances for the young man to master intricate nautical knots, steer the steamship, and perform a rescue...! It's thoroughly enjoyable and showcases the performer’s physical abilities wonderfully. There are only five actors in this film, and each one contributes effectively; it's genuinely excellent.

Source on TMDB