This film evokes neo-noir sensibilities reminiscent of De Palma’s work, but without the polish typically found in big-budget productions. The narrative draws inspiration from the Elizabeth Short murder case of 1947, also known as “The Black Dahlia,” although it isn't a direct adaptation; the events unfold in 2014. For roughly the first hour and five minutes, the film functions effectively as a deliberate detective…

The initial pacing feels sluggish, and it doesn’t gain momentum afterward. However, the main performer does a commendable job portraying someone who seems arrogant and unwilling to bother with their job or perform adequately. Her character's supposed shyness comes across more as profound disinterest. She looks incredibly bored—truly, exceptionally bored. Remarkably, she maintains that expression throughout the…