M. Rajesh’s initial films all followed a similar pattern: a hapless guy pursuing a beautiful woman and ultimately winning her over. He attempted to break away from this established style with his previous effort, Azhagu Raja, but that movie fell short and wasn't very funny. Now, he has returned to the formula that previously worked for him in Vasuvum Saravananum Onna Padichavanga (VSOP). What Rajesh has done is remin…