There’s an undeniable presence to Omar Sharif’s performance, similar to what you find in Sophia Loren or Ingrid Bergman – he seems to possess an inner glow that the camera clearly adores, which is fortunate because the film itself isn't a particularly remarkable work of cinema. “Ragab,” after three years at sea, comes back to Egypt and his intended bride, Faten Hamamah (“Hamedah”), who has been struggling to survive …