When an actor reappears after a two-year absence, you’d hope they’d pick a project that felt like a proper return. Vadivelu seems to have opted for something safer, resulting in a film that feels like a less entertaining and overlong version of his own *Imsai Arasan 23am Pulikesi*. Like its predecessor, this one is historical fiction, featuring bright, almost garish set designs and costumes. The female characters in …