A former gunslinger (Walker), released from prison in Arizona in 1891, finds that much has changed during his twenty years inside. Attempting to avoid violence, he joins a traveling show as a trick shooter, working for a barker played by Price. He navigates conflicts with an impetuous young man (Hampton) and develops an interest in an artist (Francis). “More Dead Than Alive” (1969) shares similarities with the ear…

The protagonist’s internal struggles, particularly early on, are pushed aside—which seems odd considering his eighteen years behind bars and the constant threat of vigilante justice as he seeks employment in each new town. Is this meant to draw attention to young Billy, Dan Ruffalo's partner and featured performer? Does Billy serve as a clear reference to William Bonney? His lack of experience is mixed with an almost…