Branagh’s 2022 black and white movie **BELFAST** is often called his most personal project. I would suggest that his 1995 black and white film, **IN THE BLEAK MIDWINTER**, holds a similar autobiographical quality. It's possible we will even see another monochrome film from him down the road, marking the end of his career and completing what I’m calling the Branagh Trilogy. (Let’s hope so.) **IN THE BLEAK MIDWINTER** is also notable as the only one where Branagh isn't present on screen. It’s probably the least well-known film he has made, partly because it was released in the United States under a different title, **A MIDWINTER'S TALE**. For simplicity, I will refer to it as **MIDWINTER** throughout this review. The plot is concise, reminiscent of a British version of **WAITING FOR GUFFMAN**, depicting a small group of theatrical performers attempting an overly ambitious and underfunded production of the classic Christmas play, **HAMLET**. Yes, that **HAMLET**, where _everyone dies at the end_. The story even includes a major movie producer showing up for opening night in a setting far from typical high-class theatre. The script is full of memorable characters and humorous situations. Even though he isn't visible, Branagh’s presence is felt strongly. By his sixth film, some recurring shortcomings become apparent; Branagh’s movies often lack quiet moments, instead favoring constant dialogue combined with Patrick Doyle’s grand musical scores. This film begins to subtly address that issue. In fact, it concludes with a series of satisfying resolutions that resonate deeply. **MIDWINTER** is a solid movie, but it will probably remain his most easily overlooked work... at least until my hoped-for Branagh Trilogy Box Set becomes reality!

Source on TMDB