The film *Galveston* contains some genuinely powerful scenes, but its sluggish rhythm and lack of significant events create an uneven feel, shifting between a captivating crime story and drawn-out, predictable drama. Mélanie Laurent demonstrates potential as a director, provided she can move past the habit of portraying familiar tropes as if they were fresh and groundbreaking narratives. Ben Foster and Elle Fanni…

It feels somewhat worn, though still acceptable, in _Galvestone_. Final rating: ★★½ - There was much I liked about it, but it just didn't fully come together.