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Dracula Has Risen from the Grave (1968)

1968 • 1h 32m • Horror • G
On September 24, 2026
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All reviews

John Chard on Dracula Has Risen from the Grave

8/10 · Aug 17, 2017

Dracula Has Risen from the Grave marks the fourth installment in Hammer Films’ series about the iconic vampire. Freddie Francis directs, with Anthony Hinds (writing as John Elder) penning the script. Christopher Lee leads the cast alongside Rupert Davies, Veronica Carlson, Barry Andrews and Barbara Ewing; James Bernard provides the music and Arthur Grant is responsible for the cinematography. The film prioritizes visual elements over a compelling narrative, yet it remains a high-quality entry in the Hammer Dracula canon. The story revolves around the Count’s accidental resurrection, setting him on a path of vengeance that brings danger to the villagers living near his castle. A situation unfolds where Dracula is often present in the background as he pursues Carlson's alluring character for his wicked purposes. Themes of desire, bloodshed, and religious fervor are explored. That essentially covers the plot; while elements like faith—or lack thereof—are introduced but not fully developed, the screenplay does possess some intriguing qualities. Several memorable scenes elevate the film beyond the typical fare, including a striking opening sequence involving a body in a bell tower, alongside the impressive visual of blood splattering against a crucifix. The production values are noteworthy, even if the central portion drags as we witness young lovers facing hardship at Dracula’s hands; thankfully, he makes occasional appearances to threaten both people and animals. The high level of craftsmanship extends to the costumes and sets, which are lavish and visually pleasing, complemented by excellent color lens choices. The rooftop scenes particularly shine, offering expansive views of a distinctive landscape featuring angled roofs, peculiar chimneys (one resembling a magical mushroom), all enveloped in mist. Even green smoke rises from some of the chimneys—what exactly are the villagers burning? James Bernard’s score is suitably menacing, with portions of the main theme echoing Berlioz at his most unsettling. Well-acted and skillfully directed, showcasing a sharp attention to detail, this stands out as one of the stronger sequels in the Hammer Dracula series. It earns a rating of 7/10.

Source on TMDB