I am unsure why they didn’t just make a Max Headroom series. A simple shift of a few years and relocating the story from the 80s to the 90s would have sufficed. It isn’t terrible, though; it possesses an atmospheric quality, and the lighting is quite effective. The production team succeeded in creating the aesthetic of a low-budget horror film from the 90s. One minor detail feels off—the color of the phone booths …