Following the unexpected passing of King T’Challa, Wakanda finds itself under the rule of Queen Ramonda (Angela Bassett), who now faces the challenge of stabilizing her kingdom while supporting her daughter Shuri (Letitia Wright) through immense grief. A late-night discussion is disrupted when Namor (Tenoch Huerta) appears, seeking their assistance against Americans who have developed technology capable of detecting vibranium, threatening his previously hidden underwater civilization rooted in Mesoamerican culture. He demands their cooperation in locating the scientist responsible or risks a full-scale war. The princess and her general travel to Massachusetts, where they encounter a college student with remarkable intelligence comparable to Shuri’s. Pursued by the FBI, they are captured by Talokan forces and brought to their stunning underwater realm, revealing the origins of its people. Annoyed, the Queen desires her daughter's return, an action that initiates conflict between the two nations—the outcome is fairly predictable. The core issue lies in a lack of substance; despite Wright’s compelling performance and impressive visuals, the narrative feels stretched thin. The film’s considerable length struggles to support the weak storyline, and the manufactured tension between the civilizations has noticeable shortcomings. The pacing drags considerably, and the fight choreography resembles something choreographed by Sir Matthew Bourne or a Wakandan cheerleader squad. Supporting characters lack sufficient screen time to provide Shuri with adequate support through the frequent dull moments. Huerta’s heavy accent occasionally made his lines difficult to understand, and the ending felt overly insistent on setting up a sequel, diminishing any sense of suspense long before the final credits rolled. There are moments of character loyalty and tragedy, and Martin Freeman ("Ross"—the American accent seems unnecessary) appears briefly, but Marvel needs to acknowledge that stunning visuals and technical effects alone aren’t enough to sustain an audience if the stories remain this underwhelming. It's visually appealing, features some memorable music cues, and Wright emerges as a sophisticated talent—but otherwise, it’s doubtful anyone will recall this film in just two years, I suspect.

Source on TMDB