Betty (Béatrice Dalle) and Zorg (Jean-Hugues Anglade) enjoy a carefree existence by the sea. Their idyllic world is disrupted when her relationship with his boss escalates; he requires all their bungalows painted in exchange for rent forgiveness. She then delivers an impressive display of frustration before they move on to stay with one of her friends, whose boyfriend has recently come into possession of a piano shop—that’s where our charming pair finds themselves next. They remain detached from reality, and when they aren't wandering around unclothed, engaging in intimate moments, or consuming wine – he is meant to be working on a book. It seems unlikely, particularly as we gradually begin to notice that Betty’s health is declining. Her mental clarity diminishes, and her personality transforms into something that Zorg struggles to understand, despite his unwavering affection for her. The film shines when it presents events from both of their viewpoints. Their justifications become unclear, their actions increasingly unpredictable—indeed, their previously successful unstructured lifestyle may now be contributing to the difficulties they face, potentially making things insurmountable as a tragic conclusion looms. While there is nudity present, it quickly fades into the background within a story that’s rich in character and substance, much like is common in European films. It portrays love, desire, and pleasure, but later on introduces something else—a sense of fragility. The film's length feels noticeable, yet after about thirty minutes, Dalle has captured the audience's attention, and I found myself hoping for a positive outcome for them, whether because of their actions or in spite of them. Happiness, peace, love - all things that appear just beyond their grasp. It blends moments of levity with intriguing and occasionally quite thought-provoking elements, revealing both sides of an experience of powerlessness that is genuinely moving at times.

Source on TMDB