*Will Trent* debuts with a distinctive idea: a Georgia Bureau of Investigation agent grappling with severe dyslexia who solves crimes through recognizing patterns, memory, and determination. The concept sounds promising on paper; however, the series struggles to make this core element feel authentic, leading to a flawed procedural that earns a **5/10**. The primary issue lies in the show’s premise itself. It's difficult to accept that someone could be the top homicide investigator if their dyslexia prevented them from reading or writing. This is a fundamental and significant weakness. We see Will Trent (played by Ramón Rodríguez) unable to read reports, struggling to write clear sentences, and relying on audio recordings and his partner for written information. Yet, he’s also portrayed as having the highest closure rate in the bureau and being considered an elite investigator. The contradiction is jarring. Policing, especially homicide investigation, involves a great deal of paperwork – affidavits, warrants, forensic reports, case files, legal statutes, interview transcripts; these aren't optional extras but essential tools. A detective who can’t independently review a search warrant or read a suspect's statement isn’t effective; they are a hindrance. The show attempts to address this by giving Will a partner (Faith Mitchell, portrayed by Iantha Richardson) who acts as his reader and scribe, but this only raises questions about departmental responsibility and how he advanced in his career without proper support. Dyslexia is a real condition that people overcome daily; however, the series presents Will's case as so severe that basic literacy appears impossible while simultaneously expecting viewers to believe he has risen to the top of a field reliant on reading skills without significant adjustments or supervision. It simply doesn’t work. The storytelling also falls into familiar patterns. Each episode follows a predictable structure: a body is found, Will notices something others missed, he and Faith disagree about methods, they discover a personal connection to the victim, and the killer is revealed at the end. There are no genuine surprises; the twists are obvious from early on, almost as if the show takes pride in its predictability. Viewers familiar with procedural dramas will find *Will Trent* offers nothing new. Beyond the central premise, individual episodes contain noticeable plot holes. Suspects confess because Will stares at them intensely. Crucial evidence conveniently appears when needed, without a logical explanation for how it was obtained. Characters make choices that serve the plot rather than reflecting their personalities. The show prioritizes forward momentum over making sense, resulting in a series that falls apart under even mild scrutiny. Despite these flaws, there are some positive aspects. Ramón Rodríguez is engaging and puts effort into portraying Will’s awkwardness, intensity, and underlying vulnerability. The chemistry between Rodríguez and Iantha Richardson is believable, and their interactions provide the show's most enjoyable moments. The Atlanta setting also offers a change from the usual New York or Los Angeles backdrops seen in many procedurals. Ultimately, *Will Trent* tries to be both an exploration of a neurodivergent detective’s character and a standard network procedural, but it fails at both attempts. The central premise is too unbelievable to support the narrative, the cases are too predictable to hold interest, and the plot holes are too frequent to ignore. It's watchable in the same way many network procedurals are – as undemanding background entertainment. However, viewers who value logic, realistic character development, or surprising mysteries will likely find it frustrating. Watch if: You collect procedural shows, enjoy uncomplicated crime dramas, or are willing to overlook a significant amount of implausibility. Skip if: You appreciate logical consistency, believable workplace interactions, or stories that respect the audience’s intelligence; this show will challenge all three.

Source on TMDB