W2TCH

Whose Line Is It Anyway? (1988 – 1999)

1988 • 10 seasons • Comedy • TV-PG
On September 22, 2026
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All seasons

Whose Line Is It Anyway?Season 3

17 episodes · Jan 18, 1991

1. Josie Lawrence, Greg Proops, Jim Sweeney, Tony Slattery
Jan 18, 1991 · 22m

The repertoire included performances of "Authors," an exploration of alphabetical arrangements, musical interpretations titled "Songstyles," presentations utilizing various "Props," a segment focused on "Gospel" themes, a demonstration of "

2. Josie Lawrence, Mark Cohen, Tony Slattery, Mike McShane
Jan 25, 1991 · 22m

The repertoire included explorations of cinematic and theatrical styles, the use of props, the conventions of the American musical, a comedic piece titled "World's Worst," variations on song styles, film dubbing, playful party themes, and g

3. Mike McShane, Sandi Toksvig, Paul Merton, Jim Sweeney
Feb 1, 1991 · 22m

The repertoire encompassed a diverse range of performances: encompassing cinematic and theatrical techniques, an alphabetical exploration, musical stylings, translation work, a march composition, the utilization of props, news reporting, co

4. Josie Lawrence, Paul Merton, Julian Clary, Mike McShane
Feb 8, 1991 · 22m

The repertoire included performances in Film and Theatre Styles, encompassing dubbing work for film, conducted interviews, original Songstyles, utilization of Props, an Alphabet-based piece, Expert Translation services, and a Gospel perform

5. Mike McShane, Colin Mochrie, Sandi Toksvig, Tony Slattery
Feb 15, 1991 · 22m

The repertoire included performances in diverse styles: film and theatre, incorporating the use of props; collaborative pieces known as "Helping Hands"; musical productions where I served as a producer; comedic sketches under the moniker "W

6. Mike McShane, Josie Lawrence, Denalda Williams, Sandi Toksvig
Feb 22, 1991 · 22m

The sessions encompassed a diverse range of exercises: exploring emotional responses, examining cinematic and theatrical approaches, practicing nuanced interpretation, engaging in therapeutic dialogue, utilizing tangible objects as stimuli,

7. Mike McShane, Paul Merton, Steve Steen, Jim Sweeney
Mar 1, 1991 · 22m

The repertoire encompassed a diverse range of performances: explorations of cinematic and theatrical approaches, the construction of a news report, nuanced expert translation, a musical film review, the practical considerations of props, co

8. Greg Proops, Sandi Toksvig, Tony Slattery, Mike McShane
Mar 8, 1991 · 22m

The repertoire included performances spanning diverse styles: cinematic and theatrical approaches, the use of props, a piece titled "That Will Be Charlie Now," gospel music, a comedic sketch called "World's Worst," song stylings, a rapid-fi

9. Series 3 London Compilation
Mar 15, 1991 · 22m

The repertoire included performances of "Props," a collaborative piece titled "Duet," the playful chase of "Tag," the musical arrangement of "Songstyles," a cinematic interpretation in "Film Dub," the energetic march, a collection of behind

10. Josie Lawrence, Ryan Stiles, Christopher Smith, Jim Meskimen
Mar 22, 1991 · 22m

The repertoire encompassed a diverse range of performances: encompassing cinematic and theatrical approaches, specialized expertise, crafting narratives as a book writer, composing musical styles, offering clear explanations, devising amusi

11. Mike McShane, Mark Cohen, Greg Proops, John Sessions
Mar 29, 1991 · 22m

The repertoire included performances categorized as: Authors, encompassing works of literature; Film and Theatre Styles, exploring cinematic and dramatic approaches; a segment titled "World's Worst," likely showcasing comedic or deliberatel

12. Josie Lawrence, Ryan Stiles, Colin Mochrie, Mike McShane
Apr 5, 1991 · 22m

The repertoire included performances in diverse styles: film and theatre techniques were explored alongside a deliberately inept presentation of "World's Worst" material. A segment dedicated to acts of kindness, "Helping Hands," was inters

13. Christopher Smith, Sandi Toksvig, Jim Meskimen, Mike McShane
Apr 12, 1991 · 22m

The following activities were undertaken: Author studies, with accompanying explanations; film dubbing work; exploration of song styles; development of party games; analysis of film and theatrical styles; and engagement with gospel music.

14. John Sessions, Archie Hahn, Ryan Stiles, Mike McShane
Apr 19, 1991 · 22m

The repertoire encompasses a variety of performance disciplines: encompassing cinematic and theatrical styles, musical arrangements, sound design, comedic sketches, practical effects, audition coaching, collaborative assistance, dubbing for

15. Greg Proops, George McGrath, Ryan Stiles, Mike McShane
Apr 26, 1991 · 22m

The repertoire included a diverse selection of performances: a narrative piece crafted in the style of a storyteller, a cinematic and theatrical exploration, a presentation utilizing props, an exercise focused on the alphabet, a lively hoed

16. Josie Lawrence, Greg Proops, Sandi Toksvig, Mike McShane
May 3, 1991 · 22m

The repertoire included Games performed in March, an exploration of the Alphabet, a spirited game of Tag, a piece titled "Psychiatrist," a collection of works featuring Props, a set of playful Party Quirks, an analysis of Film and Theatre S

17. Series 3 New York Compilation
May 10, 1991 · 22m

The repertoire included performances of "Authors," a showcase of various song styles, a news report, a segment titled "Helping Hands," a piece called "World's Worst," an impersonation of a psychiatrist, an expert analysis, a presentation on