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Westworld (2016 – 2022)

2016 • 4 seasons • Drama, Comedy • TV-MA
On September 22, 2026
#47928
479th by Pulse TV show online
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Manuel São Bento on Westworld

· Mar 29, 2020

HBO’s reputation took a hit with the conclusion of Game of Thrones, but thankfully, that didn't seem to affect their ability to produce quality television. Westworld remains one of HBO's strongest and best series; in my view, it has taken over the position that *Game of Thrones* held for years. Jonathan Nolan and Lisa Joy have crafted a remarkably intricate story, full of surprising turns and genuinely impressive character development. Season three signaled a significant shift, considering the game-changing finale of the previous season, so expectations were naturally very high. While Westworld certainly delivers shocking twists, earlier seasons handled them differently. In the first season, those twists enhanced the narrative; however, in the second, it felt as if the story was simply designed to accommodate them. This resulted in a few episodes that weren’t quite as strong, due to a loss of tension and balanced pacing, occasionally losing viewer interest. Furthermore, most of the surprises were so heavily foreshadowed that the later episodes lacked a real impact. Season three returns to fundamental storytelling principles. The finale of the last season essentially functions as a reset for the series regarding its setting, rules, and even characters. Most of the action takes place in the real world thus far, although there are some familiar locations featured. Dolores’ plan appears straightforward at first glance, but given that this is *Westworld*, I suspect the latter portion of the season will likely offer a few surprises, so it's important to pay close attention. I can't go into detail about what each character is doing, but based on the trailers, Bernard and Maeve having significant roles in this season shouldn’t be unexpected. They both have very interesting storylines that I am eager to see connect with Dolores’ overall narrative. Aaron Paul’s Caleb doesn’t get a lot of screen time in the initial four episodes. Nevertheless, he has a well-developed backstory, and his subplot not only informs the audience about him but also illustrates how the real world operates. My biggest praise for the first half of this season goes to the structure of each episode. Every installment begins and ends with something significant. Each time I started one, I was immediately drawn in by what was unfolding, and each ending left me wanting to watch the next one right away. Luckily, I had the “next episode” button, but it will be interesting to see how fans cope with waiting weeks for the subsequent (excellent) episode. Throughout each chapter, the story flows smoothly without the convoluted, twist-heavy narratives that characterized season two. So far, the main plot is relatively simple, but the unresolved mysteries still maintain a sense of unpredictability, which makes season three an ideal framework to deliver a truly phenomenal and shocking finale. The acting remains excellent across the board, with everyone performing at their best. Tessa Thompson (Charlotte Hale) and Evan Rachel Wood are particularly noteworthy; Ed Harris (William) also provides an outstanding performance, but the two women are exceptionally good, especially Thompson. Technically, the episodes were still in progress, but HBO’s production quality is consistently impressive. Overall, *Westworld* is back with a well-constructed season that has the potential to astonish fans once again. The depiction of the real world looks incredible, every character receives an intriguing storyline, and the first and last few minutes of each episode are absolutely superb. Each installment immediately captures the viewer’s attention, and the ending leaves everyone wanting more. Tessa Thompson stands out, but Evan Rachel Wood continues to demonstrate her impressive acting abilities. Aaron Paul should have a greater presence in the latter half of the season, but so far, he and Caleb are both quite good. The pacing is excellent, tension regarding the central mystery is brilliantly built, and the dialogues are wonderfully written. Four episodes, and I haven’t found anything truly negative to criticize. I am hoping for a second half that's as strong or even better than the first.

Source on TMDB

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