The series explores an alternate scenario: what would happen if sophisticated robots were built for the purpose of staffing an amusement park? The responses of the various characters differ based on their individual natures. For Dr. Ford, portrayed by Sir Anthony Hopkins—whose office contains a reproduction of Michelangelo's CREATION OF ADAM—the process represents the birth of a new form of life. Bernard Lowe views it as an intriguing study that helps him cope with personal loss. Sizemore, who is presented as arrogant, considers it a novel artistic expression as he writes stories for the robots to enact. For visitors William and Logan, it provides them with what they desire—William’s quest for affection or Logan's base pursuit of excitement. Theresa sees it simply as a commercial venture, voicing concern that Dr. Ford’s efforts to make the robots more realistic and less predictable will negatively impact earnings. The robots themselves, which are meant to have their memories erased after each performance, were not intended to possess thoughts or emotions—though they seem to be developing them. The show incorporates many artistic allusions, including Dr. Ford's Michelangelo painting, a logo that mimics Da Vinci’s “Vitruvian Man,” Debussy’s REVERIE, and nods to classic Western films. It is welcome to encounter a program that gives consideration to both the characters and the underlying concepts alongside any action sequences.

Source on TMDB