The OA isn’t designed to appeal to all viewers—that much is clear, especially considering Netflix has already ordered a second season. Few programs spark the kind of conversation this one does, and I suspect the streaming service values shows that draw significant attention and inspire passionate debate. That discussion centers not only on fan theories about characters and future plot developments but also on whether the show itself is any good. This brings us back to the idea that The OA isn't for everyone. Brit Marling portrays Prairie Johnson, a woman who reappears in her hometown after seven years of being held captive, now with restored sight and identifying as The OA. What follows is an initially captivating science fiction/fantasy mystery interwoven with some fairly ordinary small-town and high school storylines unfolding in the present, all revolving around the mysterious Prairie. I believe it’s best to consider The OA as one long film divided into eight parts rather than a traditional television series. Your ultimate reaction—whether you find yourself loving or hating it—won't be determined by the initial episodes but largely by the last five minutes of the finale, **SPOILERS KINDA**, which some will find absurd while others might consider objectionable. As with much of Brit Marling’s work, it is quite fascinating and deserves a look; you’ll likely find yourself pondering its meaning long afterward.

Source on TMDB