*The New Look* earns a 7/10. This period drama is visually striking and aims for significant narrative scope, offering a fresh perspective on the history of 20th-century fashion by focusing on the unsettling realities of Nazi-occupied Paris rather than its usual glamour. The show’s central idea explores a contrast between Christian Dior (played by Ben Mendelsohn), a sensitive artist waiting for his opportunity, and Coco Chanel (Juliette Binoche), an established figure revealed to be a ruthless opportunist with ties to the Nazis. While it's commendable for its bold viewpoint and excellent performances from the leads, the show occasionally struggles under the weight of its broad scope. The most effective aspect is the comparison between Dior and Chanel. Mendelsohn gives a remarkable performance as Dior, portraying a man grappling with moral survival and artistic responsibility amidst fear. Binoche is equally impactful as Chanel, presenting her not as purely evil but as an overly confident pragmatist who believes her importance places her above accountability. The series is beautiful to watch, meticulously recreating the oppressive atmosphere and subtle tensions of Occupied Paris, which makes Dior’s later "New Look" feel like a genuine release of hope. The show effectively uses fashion to examine collaboration, resistance, and survival; scenes in Dior's workshop, where maintaining beauty becomes an act of quiet rebellion, are especially powerful. However, the series attempts to cover too much ground—Dior’s ascent, Chanel’s decline, the story of Dior’s captured sister (featuring Maisie Williams), and the broader French Resistance—which results in a slow pace at times, particularly in the middle episodes. These sections dilute the central conflict with subplots that lack similar dramatic impact. There's also an emotional detachment to the storytelling; while the dangers are shown, the emotional effect can feel intellectual rather than deeply felt, creating a distance between the viewer and the events unfolding. Ultimately, *The New Look* is a stylish, thoughtful drama that works best as a complex character study rather than a consistently thrilling story. It’s worth watching for those interested in fashion history or the complicated realities of life under occupation, thanks to two exceptional lead performances. Nevertheless, its inconsistent pacing and lack of emotional intensity stop it from reaching the same heights as shows like *The Crown*. Watch if you're drawn to fashion history, WWII stories exploring moral gray areas, and character-driven dramas with outstanding actors. Skip it if you prefer a fast plot, a more uplifting wartime narrative, or a traditional biography.

Source on TMDB