It’s hard to overstate how special Star Wars is to many people around the world, and I’m certainly among them. I recall the excitement when The Force Awakens was announced; it felt wonderful to return to that universe. However, with social media's significant influence, the fanbase has transformed into something disrespectful and even hateful, making discussions about the saga less enjoyable—with one exception: The Mandalorian. I would have lost a considerable amount of money if I’d bet Jon Favreau could create such an impressive Star Wars series that nearly everyone would love it. There's no denying that the newest cinematic trilogy has been very divisive in film history, but equally undeniable is the fact that The Mandalorian stands out as one of the most universally admired pieces of Star Wars cinema or television. The show provides a striking look at what the galaxy looks like after the Empire’s fall. Some are seeking ways to profit from the aftermath of war, while others hunt criminals for rewards—like the protagonist, known as The Mandalorian or Mando. Following Pedro Pascal's character, who remains nameless and faceless throughout the season, can be challenging because it’s difficult to connect emotionally with someone you wouldn’t recognize on the street. Though, we do recognize him. It's hard to assess Pascal’s acting through his face alone, but his movements and demeanor are so distinctive that he is easily recognizable even among other Mandalorians. His costume certainly helps in that regard. However, it's the well-crafted writing that truly impresses me. After watching a few episodes, I feel like I understand Mando, even though he doesn’t say much. I grasp his guiding principles and who he trusts—yes, there are many untold stories that have shaped him into who he is (and those will eventually be revealed). Still, small actions, such as refusing to sell something or hesitating before taking a life, speak volumes about the character we're meant to support. Each episode delivers plenty of entertainment; there’s always action and it consistently introduces something new—an inventive trick, a different location, or fresh characters like Baby Yoda, who quickly becomes a central figure. I won’t reveal any details about their identities or actions, but I do want to mention Gina Carano (Cara) and Carl Weathers (Greef Karga). Both are essential to the plot, and both actors give commendable performances; Carano shines in action sequences while Weathers provides necessary exposition with his eloquent dialogue. Any lingering doubts about Disney’s commitment to this show vanish when you witness the exceptional production quality. This series doesn't just resemble Star Wars; it *feels* like Star Wars. The entire season is visually stunning, boasting gorgeous cinematography, imaginative set designs, and even impressive costumes for each species. Technically, it’s among the best television shows of the decade, with every director doing a remarkable job. Another aspect I appreciate is how each episode feels distinct. Each director brings their unique filmmaking style, making each installment feel fresh. Dave Filoni, familiar to fans from the animated Star Wars series, does well with the initial episode. Deborah Chow, who directed the Obi-Wan series, delivers thrilling action and a brisk pace. Rick Famuyiwa injects a horror vibe into his sequences, and Taika Waititi (who also voices a droid named IG-11) concludes the season with an explosive finale. Ultimately, it’s Jon Favreau's writing that ties everything together so seamlessly, especially regarding the main character. I do have one concern about the debut season: the overall narrative arc. For quite some time, it doesn't feel like there is a clear plot; rather, it seems to be entertainment for its own sake, driven by compelling characters. Following Mando from planet to planet and mission to mission can be enjoyable, but if that’s all the season offers, that enjoyment could quickly fade (chapter five is definitely considered the weakest). Many questions about Mando's past arise, and while I understand the need for a second season, some answers along the way would have strengthened the story. If anything, The Mandalorian demonstrates Disney’s considerable ability to create excellent Star Wars content—as long as it has someone overseeing it with a clear plan and structure, something that was lacking in the sequel trilogy. It's no coincidence that the episodes without Favreau’s writing are considered the season’s weakest. A lack of a central plot can be detrimental, but not enough to take away the title of “best Star Wars TV series.” With an impressive cast and talented directors, Jon Favreau offers viewers the chance to experience life in the Star Wars universe, following Pedro Pascal's character through some of the most entertaining adventures the saga has ever seen. It’s technically superb, with striking cinematography, excellent editing, a captivating score (which might feel odd at first but grows on you), and outstanding direction from everyone involved. Ultimately, it’s Favreau's writing and well-structured season that make this debut such a significant success. Without question, one of the best shows of the year. Rating: A

Source on TMDB