Synopsis

This introduction to post-tonal theory will introduce concepts – such as those found in twelve-tone or serial music – that may initially seem unfamiliar to those accustomed to traditional compositional methods. Familiarity with these terms and ideas is essential for embarking on a deeper understanding of composers like Schoenberg, Stravinsky, Berg, Webern, Babbitt, Cage, Eisler, and Dallapiccola.