This feels like a familiar disappointment, reminiscent of what happened with *The Interview*. It has this peculiar, heavy-handed approach to progressive themes. Similar to how *The Interview*'s adaptation disregarded the nuance and narrative depth that defined the original novels by omitting the relationship between the two gay characters when trying to appeal to contemporary audiences, Mayfair does something comparable with feminism. Initially, it echoes the source material—the same family, a sense of female strength—but swiftly strips away any genuine femininity from the Mayfair witches. Then, the story vanishes, and the plot disappears as well. Like so much modern messaging, it reduces everything to just conveying a point, then hammers that message home with excessive force. Forget about the atmospheric Southern Gothic narrative involving witchcraft and demonic forces; even a nuanced perspective on feminism is absent—that conversation happened years ago. Instead, prepare yourself for "THE MESSAGE," delivered at maximum volume for as long as possible, while critics who readily applaud such things shower it with approval.

Source on TMDB