The film, running over three hours (187 minutes), recounts The Eagles’ history largely through the viewpoints of its founding members and key figures, Don Henley and Glen Frey. Throughout, viewers are shown old performance clips, archival interviews, and newer conversations with former band participants. We also hear from those who felt slighted, past producers, and record companies. Linda Ronstadt, Jackson Brown, and Bob Seger appear as well. The film’s strength lies in its willingness to show the less flattering aspects of the group's journey. There are scenes depicting clashing personalities, substance abuse issues, romantic pursuits, and contentious contract disputes. David Geffen, who founded Asylum Records and later Geffen Records, is portrayed negatively as he battled The Eagles for years over song ownership rights. The relationship between Glen Frey and Don Felder proves particularly volatile, with footage included from their final performance together before the band’s 1980 split. Their interaction is striking, like witnessing a disaster unfold; it's hard to believe such a moment was captured on film, and difficult to look away. The inclusion of contemporary perspectives from Frey and Felder further emphasizes the lingering animosity between them. Henley and Frey are effective narrators, managing to be both impartial and subjective simultaneously—an unusual quality that makes their storytelling so captivating. This raw and genuine recounting of events is what truly draws you in. The film’s visual presentation isn't particularly noteworthy; it’s straightforward and doesn’t detract from the story, but neither does it stand out. The editor did a commendable job integrating these various shots with the live performance footage. For Eagles enthusiasts, this film is essential viewing. Music lovers will also find it worthwhile. For everyone else, it offers an intriguing look into the history of a significant band. While not reaching the heights of films like _20 Feet From Stardom_ or _Muscle Shoals_, it’s certainly worth seeing.
On October 1, 2026
#9869
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