Season 1 of Born Again is fairly disappointing, and understanding the production history sheds some light on why. Initially, there was an attempt to create a reimagining, discarding familiar characters and opting for a PG-13 rating and a less intense approach. Fortunately, they recognized this as a mistake mid-way through filming and brought back the team responsible for the Netflix series to salvage it. However, it was already too late. Much of the season had been filmed, resulting in an awkwardly assembled version that attempted to correct its fundamental flaws. It's immediately apparent which scenes were produced by Disney and which were handled by the original creative team. The Disney-produced segments suffer from poor cinematography and a flat visual style, contrasting sharply with the more gritty and serious tone of the episodes created by the Netflix crew—like the episode where Matt stops a bank robbery that feels like it belongs in a Saturday morning cartoon versus the final episode. The explanations for Foggy and Karen’s absence are contrived, followed by their replacements with two new characters who fulfill similar roles but lack any real depth; they're as engaging as cardboard cutouts. The season’s antagonist, Muse, is also a letdown. Despite significant buildup, he ultimately has no impact, fading from memory by the end of the season. **Season 1: 4/10** Season 2 marks a considerable improvement over its predecessor, now that the Netflix team has full creative control. Nevertheless, it still feels somewhat off-kilter, largely due to the poor decisions made in the first season. The absence of Foggy significantly impacts the show's quality. Kingpin’s return—again—is frankly becoming tiresome; a fresh villain would have been preferable. The storyline also incorporates contemporary events in an obvious manner. Fisk is presented as a stand-in for Trump, the police are portrayed as ICE, and minorities are depicted being detained in camps. Protesters hold signs reading "NO KINGS." While the writing demonstrates a substantial upgrade from season 1, it still has shortcomings. Kingpin seems to operate above the law, committing acts like killing a doctor in a hospital without facing repercussions or witnessing a cop shoot another in broad daylight. Many other characters appear to be merely going through the motions, their storylines repeating previous experiences. Additionally, this season strangely attempts to emulate a more traditional “comic book” style than its predecessors. Kingpin’s strength is exaggerated to an absurd degree, reminiscent of Hulk on steroids, compared to his portrayal in the Netflix series. He sends people flying with single punches, and the violence feels less realistic and more gratuitous—over the top. Even at its best, it doesn't measure up to seasons 1 and 3 from the original series. The ending is also a complete letdown; that final episode leaves you feeling deflated. **Season 2: 6/10**

Source on TMDB