The series has a certain cheesiness and functions much like a daytime soap opera. It’s hard to believe, but apparently all nine of the employees are involved with each other romantically. A significant issue is its reliance on a formulaic "case of the week" structure. Each installment adheres strictly to a pattern: a revolting, decaying or damaged body turns up (viewers should probably avoid watching while eating), a particular piece of bone offers an improbable clue, and a foreseeable interrogation culminates in a confession near the end. This frequent emphasis on skeletal evidence feels like a superficial replacement for a more interesting storyline. The scientific terminology and graphic depictions within the forensics lab eventually become tiresome, sometimes resulting in episodes that feel absurd and lack genuine suspense. The lead character also presents a problem. Emily Deschanel’s portrayal of Temperance Brennan is difficult to endure; even her monotone delivery becomes grating. Her overly literal and clinical approach consistently veers from being socially awkward into simply frustrating. The way she speaks and behaves makes it hard to like her. Adding to this, the writing frequently includes unnecessary, didactic speeches where Brennan delivers obvious political messages that seem completely out of sync with the narrative and disrupt the story's progression. She’s not the only character who is bothersome; there are several others, such as Angela or Daisy, who simply contribute to the overall feeling of annoyance. In conclusion, Bones amounts to little more than something playing in the background. Anyone looking for a plot that goes beyond the same tired forensic routines week after week will likely find it to be an exhausting experience.

Source on TMDB