The first thing I noticed watching Better Call Saul was how easy it is to compare it to Breaking Bad, and naturally, it doesn't quite measure up in that comparison. It lacks the adrenaline rushes and constant tension of its predecessor; instead, it’s a more deliberate, restrained series that focuses on subtleties and quiet moments rather than dramatic events. Despite this, I really enjoyed it—it operates on a different level, quieter perhaps, but very well considered. What's most compelling is seeing Jimmy McGill gradually transform into Saul Goodman. It isn’t an abrupt change; it’s a slow progression marked by small, questionable decisions that you can understand even if you don't agree with them. The idea of “I am myself and my circumstances” really comes across here: family issues, grudges, the need for validation, money, ego—all these things blend together until the character we knew from Breaking Bad finally emerges. Bob Odenkirk delivers a performance full of humanity as he portrays this evolution; you laugh with him, like him, but also recognize that he’s losing himself along the way. The show also benefits greatly from its supporting characters. Kim isn't just "the girlfriend"; she’s a complex individual with her own contradictions who gradually gets drawn into Jimmy’s world and crosses lines that seemed unimaginable in the first season. Mike serves as a detached, weary presence, someone who has accepted his lifestyle and carries it without overthinking things, even though remnants of his conscience remain. The other characters—judges, criminals, bosses, cartel members—add depth to the show's universe. Visually, the series retains elements from Breaking Bad: unusual but carefully composed shots, that intense Albuquerque sunlight, details that communicate information without dialogue (a car, a glass, a color change). Sometimes it feels like the pace is slow, but if you allow yourself to get absorbed in it, you realize that this calmness is intentional—it's preparing you for when things go wrong. While it doesn’t have the explosive finale of Breaking Bad, there are moments that linger with you due to their sadness and moral toll. Ultimately, I feel like Better Call Saul always exists under the shadow of a revered classic, which prevents it from fully reaching its height in my eyes. However, it's also clear that it doesn’t need to imitate it to prove its worth. It offers something different: more intimate, darker, less flashy, but very solid and consistent with what it aims to convey. It might not be a life-altering series, but it’s one you find yourself reluctant to leave behind because you end up feeling connected to the characters as if they were real people—and that's saying something these days.

Source on TMDB