The fight scenes have reasonably good choreography, and there’s a compelling narrative at its core. However, the actual production quality is disappointing. With characters existing across multiple planets and possessing the ability to transfer memories between bodies, it's baffling that the visual design defaults to rounded screens, generic tablets, and slight alterations of Google's Material Design aesthetic. I would have preferred if they’d eliminated the action sequences entirely and invested in a more convincing futuristic look. It makes you wonder why some filmmakers achieve brilliance like Stanley Kubrick while others end up with projects that get canceled by Netflix. Predictably, the series seems fixated on heterosexual relationships as the only valid form of desire. Female characters are reduced to little more than props unless they’re working for a controlling authority and safeguarding the system's interests. The antagonists, unsurprisingly, are Russian – seemingly adhering to a bare minimum of racial diversity by avoiding any non-white representation. I also found the series overly steeped in Marxist ideology; it’s likely attributable to its British authorship, as that worldview appears pervasive there. Ultimately, the biggest flaw lies with the conclusion. It's clumsily executed, with villains delivering expository monologues like they're from the most mocked Hollywood films. The political messaging becomes glaringly obvious, overshadowing any other potential motivations for the story. I’d suggest skipping the final two episodes, but doing so would also mean missing out on what makes the earlier parts of the series worthwhile.

Source on TMDB