The film X-Men: First Class currently holds the highest rating on IMDb among all movies in the X-Men series. Considering that it features a limited number of familiar characters from previous installments—played by younger actors—and lacks Wolverine entirely, I was somewhat surprised to see its current rating of 8.1. That feeling existed before I actually watched it, though. As someone who’s a big fan of X-Men, I was excited to see this film regardless of the plot or characters involved. However, I also had some reservations because of the reasons I mentioned earlier. I imagine many people reading this might share those same concerns. But any doubts quickly vanished no later than the opening scene. First Class begins exceptionally well, mirroring the first X-Men movie with a young Erik Lehnsherr being separated from his parents in a Nazi concentration camp. What follows that familiar setup is something entirely new and particularly dark and brutal. I won't reveal details of the plot, but it’s safe to say there will be no mystery left about why Magneto harbors such resentment toward ordinary people. This event also establishes the tone for the rest of the film and largely explains why First Class works so well: at its core, this movie is about character. While previous films focused primarily on superheroes and special effects, First Class prioritizes character development and explores the origins of Professor X and Magneto. The success of this approach likely would have faltered without a truly excellent screenplay; I commend whoever managed to weave together every small but crucial element of each character’s story so seamlessly. Practically everything is explained in this film—even things you might have wondered about, like why Xavier is paralyzed, are given believable and appropriate answers. Another significant strength of First Class is its cast. Every performer feels perfectly suited for their role. Kevin Bacon makes an ideal villain (though we already suspected that), James McAvoy not only resembles but also sounds and moves like a younger Charles Xavier. Jennifer Lawrence portrays a convincing, young—and surprisingly insecure—Mystique. The other actors are equally well-chosen, both human and mutant alike. However, I feel the most credit belongs to Michael Fassbender, an actor whom I’m now embarrassed to admit I hadn't previously known. His portrayal of Erik Lehnsherr/Magneto in his thirties is remarkable. Every aspect of his performance—his posture, even the smallest expressions on his face—effectively conveys the pain and suffering that has shaped Erik’s life. It fosters empathy for Magneto and helps you understand his perspective. Whereas the older Magneto seemed like a bitter old man who disliked humanity for reasons that weren't fully explained (no disrespect to Ian McKellen intended), Fassbender accomplishes something I thought was nearly impossible in a superhero film: he gives Magneto depth of character. If my comments suggest that X-Men: First Class is simply a sentimental character study, don’t worry. There are plenty of exciting action sequences and impressive special effects to satisfy viewers seeking thrills. And before I forget, there are two brief but enjoyable cameo appearances. Finally, a word about parental guidance: I was surprised to see so many parents with young children in the audience. As I mentioned earlier, this isn't just another superhero movie. X-Men: First Class contains dark and graphic elements, particularly scenes depicting Nazi brutality, that are not suitable for younger viewers. In my opinion, 14 would be a more appropriate minimum age. With all of that said, I wholeheartedly recommend this film to anyone, even those who aren’t already fans of X-Men. It's rare to find a movie without any flaws, but First Class is one of those exceptional cases. The directing, acting, and everything else are superb. Period.
On September 23, 2026
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