Professor Tripp (Michael Douglas) finds himself dealing with a cascade of difficulties. He’s struggled to produce another book since his initial success, causing frustration for his agent, Terry (Robert Downey Jr.); his marriage has ended, and he's expecting a child with his boss at the university (Frances McDormand). His creative struggles are exacerbated by the constant presence of his star student, James (Tobey Maguire), and an escalating marijuana dependency. It feels like a full-blown midlife crisis, but whether he can find a path forward while maintaining some dignity—and perhaps even his profession—remains to be seen. Simultaneously, his protégé is contending with personal challenges as well, including accidentally shooting the principal’s dog and finding himself the target of Terry's affections, who seems attracted to people regardless of gender. The interactions between Douglas and Maguire are notably good, as both characters grapple with their individual issues and a complicated relationship built on dependence and irritation, supported by clever dialogue that is often intricate and impactful. The story unfolds over just one weekend, which helps maintain the pace as the characters evolve in a believable—though not always sympathetic—way. Fortunately, Katie Holmes’s role is limited, allowing the plot to build to an engaging climax. It serves as a welcome illustration of Douglas's capabilities when presented with a compelling narrative and script; he demonstrates this effectively within this well-crafted ensemble drama.
On September 29, 2026
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