I’ve always been a big fan of animation. The idea that animated films are only for children is an outdated and, frankly, rather immature viewpoint. It doesn’t even seem to hold up with the growing popularity of anime or the increasing number of people enjoying animated movies worldwide. The notion that someone watching cartoons makes them childish just feels like an old-fashioned way to tease people. However, I still feel sorry for those who believe animation can't be as emotionally impactful as live-action films, especially when studios like Pixar are known for making even adults cry. It’s also disappointing when some viewers think Disney is the only studio producing good animated movies, because there are many other incredibly talented creators out there. One of my all-time favorite animated films is *Kubo and the Two Strings*, a stop-motion film from Laika, the same studio that brought us *Missing Link* and *Coraline*. Cartoon Saloon has also been gaining recognition with films like *Song of the Sea*, *The Breadwinner*, and now *Wolfwalkers*, standing out for their use of traditional 2D animation—the kind many of us who grew up in the 90s loved. That’s where my thoughts on *Wolfwalkers* begin. The film's 2D animation proves once again that this style will never feel dated or inferior to current 3D designs. I appreciate both styles, and don’t get caught up in the debate between them because each has its own strengths and limitations. Traditional animation offers a unique artistry thanks to the work of many talented artists, but it can be less immersive than 3D when creating environments and worlds. However, 3D animation often feels visually repetitive these days. Ultimately, there’s no inherently good or bad style of animation; both can produce exceptional films as well as forgettable ones (*The Emoji Movie*, I'm looking at you). *Wolfwalkers* definitely falls into the former category. Directors Tomm Moore and Ross Stewart have created an emotionally heartwarming story with flawless execution in every aspect. The screenplay by Will Collins isn’t particularly original or groundbreaking, following a somewhat predictable path that experienced viewers will likely anticipate. Still, even a familiar formula can deliver a rich and captivating narrative that appeals to both children and adults. The film's message is inspired by common themes like “don’t judge a book by its cover” and the idea that our desires can harm others, and it touches on issues of racial discrimination as it portrays two distinct groups—one being wolves. Naturally, this also brings up concerns about deforestation and animal hunting, leading to species extinction. These important topics are handled with care and never feel overly preachy. Even if the plot isn’t surprising, I was completely drawn in by the characters and the animation. Honor Kneafsey and Eva Whittaker deliver outstanding voice performances as Robyn Goodfellowe and Mebh Óg MacTíre respectively, which is enhanced by the stunning and expressive animation that deserves recognition. Sean Bean is also excellent as Robyn's father, Bill Goodfellowe, whose character undergoes a significant transformation as he learns to understand and accept a different culture and its people (in this case, animals). Every character is well-developed, with thoughtful dialogue, all set against a Celtic-inspired backdrop filled with myths and music. The original score by Bruno Coulais and folk group Kíla is one of my favorite soundtracks from 2020, including the memorable song “Running with the Wolves” featured in a particularly striking musical sequence. I can’t find fault with *Wolfwalkers*; it's truly exceptional. My sincere appreciation goes to the artists who created such a beautiful 2D world. Their work is often overlooked and undervalued (and they are frequently underpaid), so I want to thank Cartoon Saloon for continuing to make wonderful films. I have no doubt that, so far, *Wolfwalkers* is the best animated feature film I’ve seen this year. While Pixar's upcoming release (*Soul*) has potential, it will need to be absolutely perfect to surpass Tomm Moore and Ross Stewart's beautifully heartwarming Celtic-inspired story. Cartoon Saloon continues to demonstrate that 2D animation can still deliver emotionally compelling stories through gorgeous artistry. Despite Will Collins’s familiar narrative and its reliance on clichés, every detail is executed perfectly. Honor Kneafsey and Eva Whittaker provide outstanding voice work as the well-written protagonists. However, it's Bruno Coulais and Kíla’s original score that truly moves me. It’s one of my favorite films of the year, and I’d be surprised if it doesn’t end up on my Top 10 list. Watch it with your family; it’s well worth your time. Rating: A

Source on TMDB