A Southern California band gains notoriety thanks to its frontman, Max Frost, portrayed by Christopher Jones. He leverages his popularity to rally young people and ventures into politics, aiming for teen voting rights during the Vietnam War period. Shelley Winters takes on the role of Max’s eccentric mother, Hal Holbrook is a supportive senator, and Millie Perkins portrays his wife. "Wild in the Streets," released in 1968, functions as a cult film offering satire about the significant events of the psychedelic sixties. The movie avoids taking sides between generations or political ideologies, instead presenting a mocking commentary on both. It served as an influence for the short-lived DC comic Prez from 1973. The soundtrack features memorable 1960s songs composed by Barry Mann and Cynthia Weil for Max’s band, including “Shape of Things to Come” and “Fourteen or Fight,” alongside several humorous scenes, like the bizarre acid trip sequence at a retirement home. It's also noteworthy to see Richard Pryor, then age 27, playing drums in the group. Despite its lofty goals, the narrative itself proves unengaging, which likely accounts for the film’s lack of widespread recognition. Films such as "Lord Love a Duck" (1966) and “Village of the Giants” (1965) are generally more enjoyable if you're in the mood for something unusual. The depiction of reeducation camps and mandatory decrees, like forcing elderly people into camps and disregarding their rights, mirrors characteristics found in Leftist regimes—Communism, Socialism, and Nazism. However, it’s presented as acceptable because it's supposedly for the greater good (I really can’t with this). The film has a runtime of 1 hour and 37 minutes and was filmed around Los Angeles, with some additional footage captured in Washington D.C., likely by a second unit crew. GRADE: C

Source on TMDB