The Council Estate Western. Wild Bill comes from director Dexter Fletcher, who also wrote the screenplay alongside Danny King. The cast includes Charlie Creed-Miles, Will Poulter, Liz White, Sammy Williams, Charlotte Spencer, Leo Gregory, Neil Maskell and Iwan Rheon. Christian Henson composed the music, and George Richmond was responsible for the cinematography. Wild Bill Hayward (Creed-Miles) has recently been released from prison after eight years. Upon returning home, he discovers his sons Dean (Poulter) and Jimmy (Williams) managing on their own since their mother left them. Bill hadn't intended to stay around, but if he doesn’t, the boys will end up in the care system. Even more concerning is that young Jimmy is working for local drug dealers; Bill might need to step up his parental responsibilities and live up to his reputation. Wild Bill is a really good example of British filmmaking, following a tradition where actors making their directorial debuts have impressed with their ability to capture attention and maintain it. Fletcher has done an excellent job here, transforming what could easily have been a typical story about a troubled family into something more significant, captivating, and suspenseful. The film is set against the backdrop of working-class London, where construction of the Olympic stadium offers a distant symbol of hope while the main characters struggle through a world of rundown apartments, empty bars, dingy cafes, and drug-ridden council estates. The story unfolds on two levels: Bill is trying to stay out of trouble, as he openly admits, even something as simple as letting his dog relieve itself on the pavement could land him back in prison for eighteen months. However, while attempting to build a relationship with his sons, especially the older and more withdrawn Dean, circumstances are pulling him back into the violent world he’s desperate to escape. This is what creates the film's suspense; we're left wondering if Bill can achieve his goals, if he will get a chance at a better life, and whether the family can become united. Simultaneously, the movie functions as a coming-of-age story, where Dean had to grow up quickly to care for his younger brother, even taking on a job at fifteen to support Jimmy and himself. There's also a romantic element, as he’s drawn to local girl Steph (Spencer). Fletcher handles this aspect very well, getting an excellent performance from Poulter in portraying those initial awkward feelings when love begins to stir; the hesitant steps of young romance are easily recognizable. The film features many familiar British actors, mostly appearing in brief roles to offer their support for Fletcher’s project. They all contribute a sense of reassurance and add weight to what is an outstanding debut feature. Sometimes violent, often touching and tender, and frequently very funny, Wild Bill is a success. 9/10

Source on TMDB