“William,” portrayed by Jonathan Rhys Meyers, who seems to lack expressiveness, has recently experienced the loss of his wife and now receives an AI substitute named “Meredith” (Elena Kampouris). This replacement is nearly identical to the original—with one peculiar condition: a collision damage waiver is required for any intimate encounters. Initially, their existence in this rather controlled, ideal world proceeds smoothly until it becomes apparent that something unusual is happening with Meredith’s programming. A collective known as "Scare" aims to liberate automated beings from human control, and “Meredith” may be instrumental in achieving this goal. She begins experiencing dreams, which grow increasingly unsettling, and a man called “Keene” (Fletcher Donovan) starts appearing more frequently within them. As these events unfold, it becomes clear that characters are not as they initially appear, and deception is imminent. The series seems intent on exploring artificial intelligence, but this installment feels like one of the least imaginative attempts at doing so. This impression isn’t improved by numerous slow-motion scenes depicting intimacy between actors who don't seem to have any natural rapport, and the storyline wanders aimlessly, struggling to find something substantial to focus on. It's difficult to keep track of everyone's allegiances; frankly, I didn't feel invested—and the possibility of a follow-up doesn’t inspire confidence. Those familiar with "Humans" in the UK will recognize this as a considerably inferior version of that show.

Source on TMDB